The Sphere in Las Vegas, a venue that feels extra like a starship than a movie show, kicks off The Wizard of Ounceson August 28, 2025. This isn’t only a screening of the 1939 traditional—it’s a wild reimagining that drops you straight into the center of Oz.
Inside, the Sphere’s 160,000-square-foot LED display screen, rocking a jaw-dropping 16K decision, wraps round 17,600 seats, pulling you into a visible vortex. The staff—Google DeepMind, Google Cloud, Sphere Studios, Magnopus, Warner Bros. Discovery, and extra—tapped AI instruments like Imagen, Veo, and Gemini to make it occur. They didn’t simply sharpen the outdated 35mm movie; they stretched it, “outpainting” scenes to construct full 360-degree worlds. “When Dorothy’s operating down that highway within the opening shot, you see the entire panorama and her home in context,” says producer Jane Rosenthal, identified for The Irishman.
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The sound is pure magic, taking issues to a different degree. With 167,000 audio system, Sphere’s Immersive Sound system makes normal encompass sound really feel like an affordable toy. The unique 1939 rating, recorded in mono on historic gear, was re-recorded by Sphere Studios to unleash this beast. Each observe of “Over the Rainbow” and each orchestral surge is remixed for spatial audio, wrapping you within the music. “We’re retaining the soul of the unique whereas giving it justice,” says Carolyn Blackwood, Sphere Studios head and former Warner Bros. vet. Sound results received a full rebuild too—the twister hauling Dorothy to Ouncesswirls round you with pinpoint precision, backed by infrasound that hits you within the chest.
Haptic seats crank up the immersion, letting you are feeling the twister’s roar or the Depraved Witch’s broom thump. Scent results, just like the scent of poppies drifting by, drag you deeper into Oz. “We’re answering, ‘What’s it wish to be in Oz?’” says Jennifer Koester, Sphere’s president and COO. These tips sync with the visuals, which hug you in a 360-degree grip. The enduring shift from Kansas’s sepia to Ouncess Technicolor pops as the entire venue modifications colours, making you are feeling such as you’ve crash-landed in Munchkinland.
This challenge’s a beast—an $80 million effort roping in 1000’s of researchers, coders, and artists. Instruments like Topaz Video AI saved visuals razor-sharp, whereas Nuke and Unreal Engine reshaped scenes for the panoramic display screen. OpenCV dealt with grunt work like movement stabilization, however human eyes ensured it stayed true to the unique. “AI was the important thing,” Rosenthal says, stressing no new dialogue or music was added—simply amplified. That respect for the traditional shuts down worries about AI messing with a legend. Google Cloud CEO Thomas Kurian nails it: “We’re taking a beloved movie and re-creating it.”
Outdoors, the Sphere’s Exosphere, the world’s largest LED exterior, turns right into a advertising and marketing showstopper. An enormous setup options the Depraved Witch of the East’s 50-foot legs and 22-foot ruby slippers poking out from below the venue, like Dorothy’s home simply slammed down. “It’s bigger than life,” Koester says, “a teaser for what’s inside.” Paired with tornado visuals on the Exosphere, it’s been pulling crowds since tickets dropped on June 10, beginning at $104.
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